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monetization — Shocklee Entertainment Universe ● The Future Frequency

YouTube May Remove Music Videos From Indie Labels Who Don’t Join New Paid Service

shockleewebpic_youtubethreatomusicThere are some disturbing reports floating around this week that neither musicians or music fans want to hear. In anticipation of YouTube’s forthcoming music subscription service, the video giant and independent labels are at odds and not agreeing on the terms of a new agreement and monetization splits.

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Why The Artist Makes Less-To-Nothing While The Music Services And Distributors Make Billions

shockleewebpic_jeffpriceartistsmakelessThe following op-ed is comes from Jeff Price, founder and former CEO of TuneCore and now Founder/CEO of Audiam, a new service that gets artists paid for the use of their music on YouTube.

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Creating A Gray Zone: Challenges For Media Producers In The Digital World

shockleewebpic_creategrayzoneElliot Harmon, the Communications Manager at Creative Commons gives a bit of insight into the copyright landscape of creative works in this video by Swissnex San Francisco. When it comes to intellectual property, there is a big gap that lies between the classification of works that are assigned as either public domain or all rights reserved. In the middle of these, exists ‘the gray zone’ where remix, sample culture, creative commons, fair use and new innovative ways to explore, share and exploit creative works lives.

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